Author of one of the most fascinating artistic researches with a conceptual imprint dating back to the end of the 1960s, Lamelas’ practice ranges from installation to sculpture, drawing, photography, film, video, sound and textual works that address the defining contexts and conditions of our perceptions and cognitions. His is an art, more often than not, made of almost nothing.

The exhibition, curated by Andrea Viliani with Eva Brioschi, develops in space across all the floors of the Fondazione and extends in time over several months. Throughout, the show takes on different configurations and activates comparisons with a selection of works from the Fondazione’s collection. Some of the artist’s key historical works will be presented together with new productions and a programme of live events.