TOUTITÉ
ILIAZD The Study of Form
12.10.2025 – 27.6.2026
Curated by Eva Brioschi and Julia Marchand
Opening: 11 October 2025, at 11 AM
TOUTITÉ
ILIAZD The Study of Form
12.10.2025 – 27.6.2026
Curated by Eva Brioschi and Julia Marchand
Opening: 11 October 2025, at 11 AM
On Saturday 11 October 2025 at 11 AM, the Antonio Dalle Nogare Foundation opens TOUTITÉ – ILIAZD The Study of Form.
The exhibition – curated by Eva Brioschi and Julia Marchand – is the largest Italian retrospective presenting the work of Ilia Zdanevich – ILIAZD (Tbilisi 1894 – Paris 1975), a poet, writer, designer, scholar, admirer of Byzantine and Georgian sacred architecture.A radical publisher and maître du livre d’artiste, Iliazd explored diverse creative approaches.
Starting with his contribution to the Boîte-en-Valise series C (commissioned by Marcel Duchamp between 1954 and 1958), the exhibition traces the evolution of his artistic methods, culminating in his innovative bookmaking. Iliazd conceived the book as an art object—a construction based on the mutual interplay between text and image, an intellectual and spatial architecture, both system and form.
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The title TOUTITÉ represents the most cohesive interpretation of the Russian term vsechestvo and the French toutisme—also rendered in English as Everythingism. According to the curators Brioschi and Marchand toutitè represents “an artistic attitude that refuses to set spatial or temporal boundaries”, “a study of the form of forms”, a transversal, transnational, and transdisciplinary approach, an unrestricted creative principle, open to infinite variations.
The exhibition will feature architectural reliefs, design projects in the realm of fashion—where Iliazd collaborated with Sonia Delaunay and Coco Chanel—alongside archival materials from his publishing career and notable artist’s books.Among these are pages from the books LidantYU fAram (1923), Un Soupçon (1965), and Le Frère Mendiant (1959), illustrated by Pablo Picasso, as well as the entire “book-object” Poésie de mots inconnus (1949) – with illustrations by Alberto Giacometti, Henri Matisse and Georges Braque, among others.
Another section will explore Iliazd’s connection with Duchamp, showcasing previously unseen materials from the Boîte-en-valise, highlighting their professional bond built on mutual admiration.
Additionally, a young French artist, Chloé Vanderstraeten, will present a work, that merges sculpture, drawing, and architecture, created in response to these two masters, and engaging in a contemporary dialogue with their legacy.
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Ilia Zdanevich, known as ILIAZD, was a dynamic and multifaceted figure of the 20th century, recognised as a poet, writer, playwright, critic, theorist, typographer, publisher, designer, researcher and performer. His artistic and literary career was marked by an eclectic blend of interests and phases.
Zdanevich was an idealistic, non-commercial publisher who fought to promote his artistic vision and to bring attention to unknown or forgotten authors and artists, such as Pirosmanashvili and Adrien de Monluc. He collaborated with some of the most important painters and sculptors of the 20th century, including Picasso, Max Ernst, Joan Miró, Georges Braque, Alberto Giacometti, Léopold Survage, Michel Guino and Raoul Hausmann.
He experimented extensively with typography, personally designing the layout of all his publications.
After his death in 1975, his work gained greater recognition through posthumous exhibitions in major institutions such as the Museum of Modern Art in New York (1987), the Musée d’Art Moderne de la Ville de Paris (1976), the Centre Pompidou (1978), the National Library in Florence (1991), the Pushkin Museum in Moscow (2015), and the Georgian Pavilion at the Venice Biennale (2024).
His books are now considered among the most precious art books, object-works that embody a cosmic and universal toutiste vision of artistic expression.
Ilia Zdanevitch – ILIAZD, Paris, 1950. Ph. Marion Valentine
© Fonds Documentaire Ilia Zdanevich-Iliazd.
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Chloé Vanderstraeten (1996) lives and works in Paris.
She graduated in 2021 from the Beaux-Arts de Paris with honors from the jury, as well as from the École des Arts Décoratifs de Paris.
Her work, which focuses on drawing and paper, has been exhibited at the Boghossian Foundation in Brussels, the Vincent Van Gogh Foundation in Arles, FRAC Picardie, and CRAC Alsace, among others. In 2023, she was awarded a residency at the Anni and Josef Albers Foundation in the United States, where she studied the textile work of Anni Albers. In 2024, she received the Connexion ADAGP grant for an exhibition in Bremen, Germany, centered around her artist’s book Cartographies, published by Éditions Adverses (2023).
In 2025, she is awarded the Emergence grant by ADIAF.
She is in residence at Artagon, in Pantin, until 2026.
Chloé Vanderstraeten, Ph. Tiberio Sorvillo
Design Sindi Karaj
TOUTITÉ
ILIAZD The Study of Form
12.10.2025 – 27.6.2026
Curated by Eva Brioschi and Julia Marchand
Opening: 11 October 2025, at 11 AM
François Mairé, President of Iliazd-Club and of the Fonds Documentaire Ilia Zdanevich-Iliazd
Cabinet Institute
Berdo Kutubidze and Ajara TV & Radio Public Broadcaster