When Rosalind Krauss was in a relationship with Robert Morris, she took the famous picture of him wearing a helmet and chains. That image had nothing to do with the message it was transmitting, but in the heated artistic climate of the 70s it had a lot of impact. On the other hand, it were the years during which artists and gallerists had been busy trying to answer conceptual and non-conceptual questions. The often excellent, results are nowadays preserved in the best collections, such as that of Antonio Dalle Nogare and exhibited in the best museums, such as Mart.