Santiago Sierra
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About the Artist
Santiago Sierra was born in 1966. He studied art in Madrid and then specialised in Hamburg, where he began producing installations from a minimalist and conceptual matrix. Defined black and white shapes realised with an extreme economy of means combine with a desire to stage actions that silently tear apart the veil of hypocrisy with which the capitalist West tries to hide its contradictions.
For his performances, Sierra involves non-EU workers, drug addicts and prostitutes, trying to make their physical presence within the artistic context essential and at the same time critical. The artist hires the weakest and most exploited people, part of a neo-liberal system that sees human bodies as expendable and disposable commodities on a par with other raw materials, to do absurd, tiring, useless work, to create a short-circuit between the museum white cube - ideally a place of culture and therefore inclusiveness - and the global economy - relying on abuse, exploitation and prevarication.
Dos Cilindros de 250x250 cm cado uno, compuestos de carteles arrancados
Ed. of 5
February 1994
C-print
This photograph was made by tearing posters from some abandoned shops, which Sierra then rolled up to form two 250 x 250 cm cylinders, which he then located inside an exhibition space in Madrid in order to make it difficult to access the exhibition premises. The art gallery is invaded by the remains of an ineffective economy, materialised in a monumental and sculptural form, which fills the equally vacuous discourses of a certain cultural elite with its useless presence.