Migliora (born in Alessandria, 1972) employs a wide range of media, including photography, video, sound, performance, installation, and drawing.

Recurring themes in her work include memory as a tool for investigating the present and analyzing labor dynamics, both individually and collectively. Over thirty years, she has explored the human dynamics leading to the capitalist paradoxes of industrial production as an extractive and divisive force within communities. Her work has consistently sought to reshape a more collective imagination, focusing on minorities and their demands while overturning social and political inconsistencies through diverse visual approaches that encourage active spectator participation. In more recent years, her works have embraced a multispecies perspective, incorporating animal and plant viewpoints to contribute to new and necessary visions in times of global complexity and evolving adaptive scenarios.